About the Contributors #5
August 18, 2015 § Leave a comment
BY GUILLAUME APOLLINAIRE
Oh! The tops of pines crack in colliding
And one hears so much of their lamenting
And from the river a voice thick and loud
Elves laugh at the wind or at gusts blare out
Attys Attys Attys disheveled with charm
It is the elves at night that mock your name
One of your pines falls to the gothic wind
The forest flees like an ancient army
Whose lances Oh pines are stirred in turning
The faded villages are now planning
Like the virgins the old men and poets
And wake to the feet of no one coming
Even when vultures descend on pigeons
From the Introduction for Flowers of Evil
BY JOHN WOOD
After reading Les Fleurs du mal Victor Hugo wrote Charles Baudelaire, “Vous dotez le ciel de l’art d’un rayon macabre, vous créez un frisson nouveau” (You endow the sky of art with a macabre gleam, you create a new shiver). Some Victor Hugo of photography could easily have written those same words to Eikoh Hosoe a little over a century later when he began publishing his equally radical books of photographs, especially since frisson also implies both shudder and thrill.
The Death of Artists
BY CHARLES BAUDELAIRE
(Translated by John Wood)
How often must I play the sad jester
And kiss the low, dull brow of travesty?
Or spend arrows in wasted archery
To strike the mystic mark of Nature?
We’ll break or crack our heavy armature
And wear our souls out in conspiracies
Before we gaze upon that grand Creature
Whose hell-made desires are our misery.
But some have never known their Idol:
The cursed artist branded with disgrace
Who beats his chest and tears his face
Has but one hope, O strange, dark Capitol,
That Death rising like a new star
Will flame his mind into flower.
The Odes of Pindar
from OLYMPIAN 1
Olympic fame gleams from far away,
when swiftness of foot and strength’s vigor
boldly strive in the races of Pelops.
The victor finds surrounding him
honey-sweet peace all of his days-
at least as much as victory can bring.
But man’s best blessing is daily fortune.
Now I must crown him with Aeolian song,
as the horseman is honored.
There is no better host, I’m sure,
no one more worthy to adorn
with glorious song, intricate hymns,
no king more worthy of power,
more familiar with beauty. . . .
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