About the Contributors #11

October 1, 2015 § Leave a comment

Legacy Editions and and legacies in music. Quincy Jones writes about his longtime respect and friendship with Herman Leonard. Legacy Editions title Love, Graham Nash includes not only text by Graham Nash but has an introduction by the iconic Neil Young. Legacy Editions includes other important cultural icons, Al Michaels and President Jimmy Carter in Gold, not to mention text and signatures from the entire team!

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Two Jazz Legacies, Quincy Jones and Herman Leonard
Listen: Herman Leonard and His World of Jazz

Today people talk a lot about “reading” a photograph. That means “getting it,” understanding what it’s all about. But, man, when it comes to Herman Leonard, I think a better verb is listen. You need to “listen” to Herman’s pictures. They are full of music and you can hear it. Just look at his great picture of Lady Day {shown below}. If you can’t hear her singing to that little angel over her left shoulder, then you’re just not listening. Herman’s pictures always swing-and always have some special touch, like that angel, that leaves you wondering where it came from. Look at The Duke seated at his piano. It’s Ellington, for sure, but notice how Herman caught him in those modernistic and elegant shafts of black and white light, which echo Ellington’s elegant, always new music.

I’ve often called Herman’s photographs “perfect.” But his perfection was no accident, no piece of good luck. He did have the good luck, or the smarts, to be in a lot of the right places at the right time. But he learned his craft, the notes and scales of his art, just like we musicians did. Before you can go off on a riff, you’ve got to know where the notes are, and Herman learned all his camera’s notes. He realized at a young age the value of studying with a master and apprenticed with Yousuf Karsh, who wrote that Herman had what it took “to be a great photographer.”

Herman and I have known each other since the early Fifties when I was playing with Dizzy Gillespie’s band. Then in Paris in the late Fifties, and right on till today. And he’s always caught that swing, which is why we musicians always wanted Herman to photograph us. He made us look like our music sounded because he had come to his art the same way we came to ours-by finding our own distinct voices. If there’s ever been a musician’s photographer, it’s been Herman Leonard. I’ve said it before, and I’ll say it again, his photographs are music to my eyes. And most of all, I have been blessed to have him as my brother and friend for so many years.

– QUINCY JONES –

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One of two Legacy Editions titles:
Love, Graham Nash

When it comes to writing songs, most songs seem to be about love, but when love and love of man seem threatened, especially by politics and war, then the subject changes. Sometimes it is easy to write a song about war, if young people are killed on a college campus in the USA because they were protesting a war they did not believe in, and were threatened with the possibility of having to go and fight in, then that is an easy thing to write about. It comes naturally and you just let it go. Then the wars that seem to be so wasteful come along, and you may be a lot older now, like Graham and I are, well then it is different. We are grown men with experience in the world. Our ideals have been battered by life, but we still cling to them, even though we have learned that men fight wars because they breathe. That makes it a lot harder. It makes you a preacher, a politician, all the things you may not want your music to be, and you are caught up in the web. Anger, loss, desperation, they all come to you and make you write songs that seem to separate people, and you don’t know whether you have won or lost.

– NEIL YOUNG –

Without the love and support of my mother and father I wouldn’t be here talking to you. My vision for myself would not have come to pass had it not been for their positive attitude towards my passion for rock and roll.

My father first revealed the magic of photography to me when I was 10 years old and I’ve never been the same since. My mother always encouraged me whatever my pursuit, and it’s from her I really gained the confidence to go out into the world with a strong heart. To them both I dedicate this project and I send my unending love.

For much of my life I’ve tried to share my creations with who ever wanted to take the time to be curious. From the first moment of darkroom magic shown to me by my father so long ago, to this present day, I am driven to express myself mainly through photography and music, and I feel extremely lucky to be able to speak my mind this way. I’m proud to be a part of a society that tolerates my point of view.

The conjunction of two energies, love and pain, is represented here
in these pages. There’s a certain charm about the original scribbling
that seems, in my case, to coalesce into song and image. I certainly hope
you enjoy this journey but please remember that these are my loves . . .
these are my pains. . . .

– GRAHAM NASH –

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The other Legacy Editions title:
Gold: A Celebration of the 1980 US Olympic Hockey Team

It’s been often chronicled that the collective mood of our nation in early 1980 bordered on a combination of gloom and anxiety. The prime rate hovered near 20 percent. Long lines at gas pumps in the 70s portended another future round of shortages. The Soviet Union had invaded Afghanistan and, as ironic as it now plays out, the United States threatened a boycott of the Olympic Summer Games in Moscow (which did happen). More than 300 Americans were rounded up in Iran and held as hostages, a nightly embarrassment on Capitol Hill and at the State Department. In sum, the United States had a form of the collective blahs.

Out of that darkening vortex came a group of relatively unknown young men and a coach whose focus was limited to performing at the highest level possible over a February fortnight in Lake Placid, New York. When it was over-and the 1980 United States Olympic Hockey Team had won the gold medal-it was a sports upset of historic proportions. But as anyone old enough to remember knows, it broke through barriers far apart from the worlds of hockey and athletics. It gave our country a collective emotional lift and it came out of nowhere. Three decades later, people still light up at the memories.

One of the best things about that magical run is that the flashbacks are so disparate. What did it all mean? I think the answer to that is another question-how many ways can you look through a prism? I know a lot of people still view it as a metaphor for “anything is possible.” In an increasingly cynical world, I suppose that’s one legacy. But I prefer to think of it as something somewhat arguable but slightly more tangible-the most joyous sports remembrance of our lifetime.

One of my favorite phrases is “go make a memory.”
Boy, did that group make one!!

– AL MICHAELS –

Looking back, the 1980 “Miracle on Ice” was much more than an Olympic upset, more than the underdogs defeating the favorite in a hockey game. It was that these unknown, working-class American young men had defeated the all powerful, seasoned Soviet professional team who, months earlier, conquered a team of NHL All-Stars in the 1979 Challenge Cup. The upset came at an auspicious time as the decade that preceded that moment in our nation’s history truly had tested the character of our country. To many Americans, that game was not only a physical victory, but an ideological, even spiritual triumph-perhaps even a success as meaningful in its own nuanced way as the Berlin Airlift or the Apollo moon landing.

America has always embodied an ambitious philosophy of succeeding even under the most daunting odds. When the American team skated onto the ice all those years ago, the result seemed to be a foregone conclusion. Showing the kind of grit and determination that is the very essence of being an “American,” those boys showed us, showed the world the meaning of the word “miracle.” In 1980 we were in dire need of something to celebrate, and those young Americans responded. In doing so they lifted the spirits of an entire nation, and it is a moment that holds a special place in my heart.

– PRESIDENT JIMMY CARTER –

#10/16: Something new for 21st

May 21, 2014 § Leave a comment

21st Editions is now celebrating sixteen years of The Art of the Book! In this series of sixteen emails we are sharing with you a chronology of highlights, events, and stories from the beginning of our unique publishing endeavor up until now. We hope you enjoy them.

In 2006, Andy Conway approached me with the idea of publishing a book celebrating the upcoming 30th Anniversary of the men’s 1980 U.S. Olympic Hockey Team’s gold medal win. He understood and articulated that it was an event burnished in the minds of our generation, and that of our parents, as important as man’s landing on the moon. Sports fan or not, most remember that very important event during the Cold War era, and the significance of the United States eliminating West Germany, Russia, and finally Finland, for the gold.

Since a book like this was unlike anything we had ever done and since the entire 1980 team was still alive, with the exception of its coach Herb Brooks, we contacted the team. This became Andy’s project and it was up to him to bring it all together, as he so skillfully did. Working closely along side Andy was Pam Clark, both of whom are avid sports fans and who turned themselves into magicians to pull all of the pieces together. Andy tracked each of the players down and asked them, “What did it mean to you then?,” “How did it change your life?,” and “What does it mean to you now?” The text is compiled from their answers. Concurrently, Andy convinced both Al Michaels and President Carter to write the Introduction and Afterword, respectively. He also managed to collect thoughts and reflections from the players themselves. Pam tracked and followed all of the colophon pages for three months in order to be certain the books had all 20 players’ signatures. That page alone is a thing of beauty!

In the end, we published Gold: a Celebration of the 1980 U.S. Olympic Hockey Team, a celebration in book form surely unlike anything that has ever been produced in the sports arena, and perhaps that ever will be. As every year passes, this book becomes more important.

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Chris Pichler and Maya Ishiwata of Nazraeli Press have been Michael Kenna’s publishers for years. Chris and I have known each other for some time, so out of courtesy and respect for a man I hold in high regard, I asked Chris if he minded if I approached Michael with a proposal. Without taking a breath, Chris said, “No, not at all.” Nazraeli and 21st Editions specialize in very different productions and neither of us saw any conflict, only benefit to one another, and Michael as well. Michael accepted and we soon were at work on it.  In fact, after Mont-Saint-Michel, Michael enthusiastically accepted a second invitation to work together with us on Huangshan: Poems from the T’ang Dynasty. Both Platinum Series titles focused on projects that Michael had been working on for years. Together they make up a rare set of books from one of the most important landscape photographers of the 20th and 21st centuries. He is also one of the most gracious and pleasant artists we have had the pleasure of working with.

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