#4/16: Tress, Halliday, and ParkeHarrison

April 14, 2014 § Leave a comment

21st Editions is now celebrating sixteen years of The Art of the Book! In this series of sixteen emails we are sharing with you a chronology of highlights, events and stories from the beginning of our unique publishing endeavor up until now. We hope you enjoy them.

2003 was a very busy year for 21st Editions. We published the second title in our Silver Series, The Perfect World of David Halliday and two Platinum Series titles: the surrealist work of Arthur Tress paired with Apollinaire in Memories; and the brilliant and highly acclaimed work of Robert ParkeHarrison in Listening to the Earth, with poems inspired by and composed specifically for this title. A companion title, The Book of Life, was also published in 2005. Morri Creech then went on to publish these poems separately and won the Anthony Hect Poetry Prize in 2005 for Field Knowledge.

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Listening to the Earth is an early iconic image in Robert ParkeHarrison’s career that was the impetus for the Platinum Series title by the same name. Like most of the earlier work, this photographic panel (shown below) was made by hand with traditional analog processes, unlike the digital processes now being used by the ParkeHarrisons, as well as most photographic artists today. They created the scene using handmade props and found objects, and Robert is the subject. With a finished surface of encaustic wax, this panel is a pivotal piece and an important one to the history of photography. The George Eastman House originated the first major exhibition of this work, of which a panel from this edition was a part, that traveled the U.S. and Europe. Around the same time the work of Robert ParkeHarrison began to be credited to both Robert and his wife Shana who work as a team then and now. This unique artist proof was acquired directly from the artist(s) and was outside an edition of five panels, all of which sold out prior to the show it premiered in.

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from John Wood’s introduction in “The Perfect World of David Halliday” with assorted texts

November 20, 2012 § Leave a comment

David Halliday, I am certain, is the greatest master of the still life that photography has yet produced. But more than that he is probably the great photographer of joy, as well. I am talking here of serious joy—not an armload of puppies, a kitten in a ladle of pasta, kissing children, or anything to which the word cute might be applied. Though joyful, his work has about it the seriousness of the spiritual. His imagery is constructed from many of life’s most perfect, simple, yet most elemental objects—the rose, the egg, the bottle of milk, the loaf of bread. « Read the rest of this entry »

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